Ebook Fictional Discourse And Historical Space
The complementary discourses conclude by offering responses to questions about the interactions between gender, genre and creative processes, before proposing future lines of enquiry into the nature and possibilities of the novel. University of Salford.
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Staff Students Library Press. Truths and their telling : a novel with complementary discourses. PDF - Submitted Version Restricted to Repository staff only Download 3MB Request a copy Abstract Comprising a novel and complementary discourses, this thesis blurs the traditional distinctions between critical theory and creative practice, and contributes new insights into the practice, craft, and theory of the contemporary novel.
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Fictional discourse and historical space
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Conrad's Mythology. Troy: Whitston, Two of these books are thoughtful, complicated works of literary criticism, intelligent approaches to both fiction and current academic discourse. Andrew Wright, in Fictional Discourse and Historical Space , examines possible boundaries between the reading of fiction and the study of literary history, as well as the various audiences for fiction, the varieties of relation between fiction and the reader's fictions of self.
More rigorous philosophically, although less imaginative about the complexities of readers and times, Patrick Whiteley traces theories of epistemology back to Cartesian dualism in order to locate a change in the applications of knowledge to the constant novelistic question of the identity of the self that indicates modernism in the fiction of Conrad, Lawrence, and Woolf. Although neither critical work is completely convincing, both suggest thoughtful historical speculation and provide sensitive and illuminating readings of particular works.
Andrew Wright is acute in using historical knowledge and insight to formulate authors' individual perspectives, as in his account of how Defoe deliberately reduced the complexities of experience to a regressive dream of appealing childishness.
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